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| Taken at Adventureland |
"my feelings about these songs are best summed up by 1000 multi-colored heart emojis"
-
katie b.
"Some bands and artists are presented in a way that they overcome pettiness and bring sheer beauty to the proceedings with their arrangements and their presentation. The pure scope, much like the electric feeling of a thunderstorm or the rushing waves of the ocean, makes that which doesn’t matter slide.
"That isn’t Lesbian Poetry. They attack the overwhelming feeling of everyday life in a different, maybe more substantial way. Gone are the trappings of production and in it’s place is honesty, simplicity and a different sort of ability. An ability to tell a story. An ability to let you get lost for a moment in the words of someone else and a clear understanding about what songwriting can be when stripped down to its most simple form.
"Lesbian Poetry is a simple band with a simple sound, but they aren’t simple people. What I like most about them is that the overall vibe and confidence they exude. It isn’t about being the greatest performer or the greatest musician, it is about telling their stories in their way with little regards towards what the outside world might think...
"That’s what makes Lesbian Poetry, both the band and album, so intriguing. It is the confidence to be yourself, to present your art and to be one with your life. Comfortable in their own life, their own skin and their own art. So comfortable that it makes you wonder why you cared so much about petty things to begin with."
- from
an Iowaves review
"Rice-a-roni. Butts. Kissing. Lesbian Poetry is hard to define because Lesbian Poetry means a little something different to everyone.
"I’ve seen Elliot play more times than I can probably count. The first time I ever listened to Elliot’s music was on his couch in 2009, and he offered me some cereal and we didn’t talk at all. Later, I watched Elliot sing songs a cappella in his backyard with hunnies and fellas floating in the pool behind him. I’ve seen Elliot on a 625-acre farm in Eastern Iowa, unblinkingly rejecting the stage and sound system. With his voice out-loud and arms tied awkwardly behind his back, he stopped hearts with his even-paced drawl against the Iowa countryside. Aided by bare instrumentation, Elliot’s songs read as poems or folk tales. His songs have an amazing sense of humor and life that the listener feels like they’re chatting with an old friend or maybe even someone they kissed at a party once. And sometimes they’re profoundly sad. And that’s okay."
- from
a DMMC (Des Moines Music Coalition) article
