Saturday, December 16, 2017

FESTER RAGE VIDEOS: A Testament of Youth (ATOY) at The Vaudeville Mews in Des Moines on August 31, 2007

Okay, this is the first in a new monthly series we will have on Iowa Music Showcase.

Fester Rage was an amateur videographer who from August, 2007, to September, 2015, recorded various live shows here in Des Moines, both from local acts and national. On this website, we will be only featuring the Iowa artists. But you can watch all his videos on his YouTube channel at https://www.youtube.com/user/unclefesterrage.

The first show he recorded was actually a reunion show from a popular 80s Des Moines punk band, A Testament of Youth, or ATOY as they were commonly called.



"Formed in 1981 by Factory Records aficionados Paul Standard and Dave Edwards, A Testament of Youth or ATOY (pronounced AE-TOI) were Iowa's first Post-Punk band. ATOY were Paul and Dave's response to the bland Styx and Journey-inspired rock that was prevalent throughout the midwest during the late 70s and early 80s. Looking to do something darker and more arty, guitarist Paul and producer Dave set out to forge a new midwest sound. Brad Roth, who was then singing in and playing bass for the power-pop trio The Blue Cruisers was recruited as a front man. With the addition of newcomers Mark Penner on bass and Lonnie Urich on drums, ATOY was set to play the now legendary 1981 2 day Iowa punk/new wave festival, Music For No-Man's Land. A surprise hit at the festival, ATOY contributed two songs to the 'Music For No-Man's Land' release, Roth's Television-inspired "Chemical Boys" and Standard's epic dirge "Requiem for a Priest". ATOY were soon playing gigs throughout Iowa. Due to differences in vision, Dave Edwards soon left the group. ATOY's music at the time was thin, brittle and experimental using rhythm machines, tape loops and incorporating short-wave radio broadcasts into their live shows. Brad's onstage antics were legendary, often getting the group banned from some of the more mainstream rock clubs. Paul decided to return to college late in 1981, leaving the band looking for a new guitarist. Greg Owen, who had played with Brad Roth previously in the Blue Cruisers joined in early 1982. Owen brought a tough, shredding guitar style to ATOY which propelled their sound into a more aggressive stance. Penner and Urich similarly toughened up their sound and Roth's wild stage persona evolved into a dadaist Iggy Pop. Brad's lyrics began to take a darkly poetic turn and led to him being called 'the Baudelaire of the heartland'. Over the next year and a half, the band began touring around the midwest to ever increasing crowds. During that period, many of ATOY's most popular songs, such as 'Stickmen', 'Creeps with Forks' and 'Cut and Restored' were written. The group gained in popularity and the now defuct nightclub So's Your Mothers, opened another venue, Mother's Underground, to regularly showcase ATOY and other Iowa underground bands. The volatile mix of personalities in the band began to take it's toll and in the Spring of 1983 ATOY decided to call it quits. Their final show was recorded and release on CD many years later. A videotape of that last show called "The Final Plunge" was aired on Des Moines TV... In 2005 ATOY were asked to do a reunion show. The success of that show surprised them as much as their fans. This led to the band resuming playing again. The volatile mix of personalities did lead to a couple of false starts, but ATOY is officially back together, writing new material and playing to new fans as well as old. Since ATOY never really sounded like anyone else, the band's music doesn't sound dated to new fans. New material has been written as well as a number of Buick McSnake songs being reworked into ATOY's sound...and then after a dozen or so gigs it all came crashing down. The volatile chemistry of the band once again blew up. As a longtime fan of the band remarked 'If everyone were mature and responsible, it wouldn't be ATOY. You guys have broken up for good before. Hopefully you'll do it again.' Here's to hoping that it'll happen again."
- from their Underground Archives entry



Fester Rage's YouTube Channel:
https://www.youtube.com/user/unclefesterrage

A Testament of Youth/ATOY on Underground Archives:
http://01.iowaunder.com/content/testement-youth


PREVIOUSLY ON IOWA MUSIC SHOWCASE:
One week ago...



Two weeks ago...



Three weeks ago...



One month ago...
Just what the heck is on this website! -
http://iowamusicshowcase.blogspot.com/2017/11/just-what-heck-is-on-this-website.html

Three months ago...
EPISODE 51: Iowa Hip-Hop and Rap 2 (and 3 episodes of the Iowa Block Radio rap podcast) -
http://iowamusicshowcase.blogspot.com/2017/09/episode-51-iowa-hip-hop-and-rap-2-and-3.html

Six months ago...
PLAYLISTS: A Father's Day Playlist -
http://iowamusicshowcase.blogspot.com/2017/06/playlists-fathers-day-playlist.html

One year ago...
Episode 40: Happy Hawkeye Holidays 2016, Part 3 of 3 - The Spiked Eggnog Edition -
http://iowamusicshowcase.blogspot.com/2016/12/episode-40-happy-hawkeye-holidays-2016.html

Two years ago...
Episode 21: Happy Hawkeye Holidays 2015, the Flurries Edition -
http://feeds.feedburner.com/IowaMusicShowcase


OTHER IMSC WEBSITES AND LINKS:
Feed:
http://feeds.feedburner.com/IowaMusicShowcase
Facebook:
https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114
Twitter:
https://twitter.com/iamusicshowcase
Instagram:
https://instagram.com/iowamusicshowcase

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Tuesday, December 12, 2017

Iowa Music NEEDS Net Neutrality - and So Does Iowa Music Showcase!

If you haven't been paying attention - or missed all the posts I've been putting up on social media - we are about to lose net neutrality, the rule that says all information and sites on the net have to be treated equally.

Without net neutrality, some sites could be paid to load and play faster than other sites.

And that means, those of us without any money, like most Iowa music acts and this website, would be stuck in the slow lane.

It also means that schools, small businesses, activist groups, and other groups with little funds who have trouble connecting and reaching the masses and other sites.

The only winners out of this would be internet providers, large businesses that could afford the fast lane, and people with money who can afford to spend it on a faster internet. The rest of us would have to take what we could get.



But it hasn't happened yet! And if you would like to prevent it from happening, please add your name to the petitions below -

Change.org - https://www.change.org/p/save-net-neutrality-netneutrality

White House petition - https://petitions.whitehouse.gov/petition/do-not-repeal-net-neutrality

Battle for the Net - https://www.battleforthenet.com/

MoveOn.org - https://petitions.moveon.org/sign/tell-the-fcc-restore

ACLU - https://action.aclu.org/secure/FCC_preserve_net_neutrality

Save the Internet - https://www.savetheinternet.com/sti-home

Every Library - http://action.everylibrary.org/netneutrality



You can also email the members of the FCC and tell them how you feel about net neutrality -

•Ajit Pai, Chairman - Ajit.Pai@fcc.gov

•Mignon Clyburn, Commissioner - Mignon.Clyburn@fcc.gov

•Michael O’Rielly, Commissioner - Mike.O‘Rielly@fcc.gov

•Brendan Carr, Commissioner - Brendan.Carr@fcc.gov

•Jessica Rosenworcel, Commissioner - Jessica.Rosenworcel@fcc.gov



Also contact Senators Charles Grassley and Joni Ernst and your congresssional representative -

Sen. Charles Grassley - https://www.grassley.senate.gov/constituent

Sen Joni Ernst - 
https://www.ernst.senate.gov/public/index.cfm/email-joni

Rod Blum (R) - District 1 - https://blum.house.gov/contact/email

David Loebsack (D) - District 2 - https://loebsack.house.gov/forms/writeyourrep/

David Young (R) - District 3 - https://davidyoung.house.gov/contact

Steve King (R) - District 4 - http://steveking.house.gov/contact

Or use the ResistBot - Text "RESIST" to 50409


To read more about how ending net neutrality will affect the music scene -

From Rolling Stone - Net Neutrality: How a Repeal Could Kill the Careers of Indie Musicians -
http://www.rollingstone.com/music/news/net-neutrality-how-a-repeal-could-kill-artists-careers-w513787

From Digital Music News - Goodbye, Net Neutrality? What This Could Mean For the Music Industry -
https://www.digitalmusicnews.com/2017/11/20/fcc-net-neutrality-music-industry/

From Watt.CashMusic.org - NO INTERNET, NO MUSIC: WHY MUSICIANS NEED TO CARE ABOUT NET NEUTRALITY -
https://watt.cashmusic.org/writing/nointernetnomusic

From Medium.com - If the web loses net neutrality, independent musicians will lose their careers -
https://medium.com/cash-music/if-the-web-loses-net-neutrality-independent-musicians-will-lose-their-careers-d8226f9f2e3a

From WMOT Radio's website - NOT NEUTRAL: Anger, Activism Roil Indie Music Before Net Neutrality Vote -
http://wmot.org/post/not-neutral-anger-activism-roil-indie-music-net-neutrality-vote#stream/0

From Mashable -Here's what your favorite band thinks about killing net neutrality -
http://mashable.com/2017/12/07/musicians-tell-congress-killing-net-neutrality-threatens-art/#QAa2i_Tiemqb

From Future of Music Coalition - Rock the Net: Musicians for Net Neutrality -
https://futureofmusic.org/issues/campaigns/rock-net-musicians-net-neutrality

From Variety - Hundreds of Musicians — From R.E.M. to Turnip King — Sign Statement Defending Net Neutrality -
http://variety.com/2017/biz/news/hundreds-of-musicians-from-r-e-m-to-turnip-king-sign-statement-defending-net-neutrality-1202638012/

From Track Record - What The End of Net Neutrality Means For Music Fans -
http://trackrecord.net/what-the-end-of-net-neutrality-means-for-music-fans-1821231437

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Monday, December 11, 2017

IOWA MUSIC SHOWCASE PODCAST - Episode 58: Happy Hawkeye Holidays 2017, Part 3 of 3 - Scrooge



Ho ho ho! We bring the last of this year's Holidays episodes.

And as in previous years, this episode features some situations and language that some of you may not want to hear. So you have been warned.

The rest of you I hope enjoy this last collection of festive musical frivolities.

And be back next week as we present a whole bunch of playlists featuring Iowa's own songs of the season!

Art by John Leech
https://en.wikipedia.org/wiki/John_Leech_(caricaturist)

Ep 58 - Song 1: "A Collage of Impressions" by The Poison Control Center



"The band's indie rock sound is strongly influenced by bands of the 1960s, such as The Beatles and The Beach Boys, but they have also touched upon more unrelated genres since their inception. Their earlier recordings show influence of the lo-fi sound and pop sensibilities of indie rock bands of the 1990s, such as Guided by Voices and Pavement, although recent albums have featured more polished production."
- from their Wikipedia entry

"The Poison Control Center have long been considered one of Iowa's personal favorite local bands. The creation of Patrick Tape Fleming and many of his friends, the band's inspiration has stood as one of Iowa's music scene's key ideals: community and friendship. Though the numbers and band members have changed throughout the years, the band has continued to release music in a more condensed version... The band is best known nowadays to consist of Patrick Tape Fleming on guitar and vocals as well as Devin Frank, who also plays guitar and sings, Joe Terry, who plays bass and sings (and does a cool thing with a trumpet and some swingin' hips), and Dave Olson, who plays drums (... and he sings, too). Though some of the members have moved away, the band still likes to get together to entertain the masses, doing cartwheels, standing on their heads while shredding through guitar solos, dancing in the crowd, and leading many a sing-a-long with the crowd (basically, putting on legendary rock shows)."
- from their DMMC music directory entry

"From the Ames/Des Moines/Iowa state capital corridor, there's been a rattling for what seems to be decades, a great disturbance that became a lesser disturbance, that became a puzzlement, that was fleshed out, that was refined, that was commandeered by four principal songwriters all of distinguishably different persuasions, that was made into an operable quartet that has come to this day embracing all of its idiosyncrasies in a more controlled environment. The Poison Control Center, if it's appropriate in its syntax to claim the multi-headed project as a single being, was a madman in its earlier days of playing in green jump suits a la the yellow ones Dignan wore in 'Bottle Rocket.'

"It was an unhinged variation on the simple pop structure that spawned all of the Beatles crazies who made all of the fuzzed out, drugged up psychedelic indie rock for The Elephant Six Collective and Kindercore Records. They were and still are a group that bows to hermetic Jeff Mangum, hyper-kinetic Robert Schneider of The Apples in Stereo (lead singer Patrick Fleming would probably list being an invited guest to the Apples front man's wedding as a life highlight), Elf Power, Masters of the Hemisphere and all of the other various off-shoots and denominations of these incestuous bands. They've helmed in their more reckless leanings and stand before us with the tassel flipped over to the left side of their caps, signifying a graduation of sorts into the kind of rock and roll world that they always knew was out there waiting for them if they could just get there - surviving personal losses and creative differences and growing up (the biggest detriment to a band that lives and dines on doing things the hard and ambitious way).

"The PCC now - with its forthcoming new record A Collage of Impressions -- is going after legitimacy. It already has legacy and relative longevity, as well as experience playing ice cream parlors and Patrick Fleming and Devin Frank staging live battles with their bodies and guitars, like two feral bighorns clacking their bones together for the appealing hand of the lady bighorn. The record makes the most of their multi-dimensions and individual voices and egos. All four voices get their crack and the barnburning, waylaying is an attractive version of the closest this band will get to giving us a straight answer. It's still pop, via the weirder, non-cerebral form of the word, but it's an expansion of on the many years of trying and a testament to what plugging away at a sound burning a hole in your head can lead to. Poison Control Center sings that love is the answer, but the reason they're even able to repeat what was just said is by way of supreme companionship - which gets a lot of face time on the new album. It's a full developed friendship of mostly brothers that has taken their love of weird but simple music courting."
- from their entry on Daytrotter

Lineup:
Patrick Tape Fleming - vocals, guitar
Devin Frank - vocals, guitar
Joey Terry - bass, vocals
David Olson - drums, vocals


Home page:
http://thepoisoncontrolcenter.com/

Facebook:
https://www.facebook.com/The-Poison-Control-Center-98639736292

BandCamp:
https://thepoisoncontrolcenter.bandcamp.com

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

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IMSC Ep 58 - Song 2: "Eggnog and Beer" by Less Poetry and Pizza Babe



Less Poetry used to go by Lesbian Poetry.

"my feelings about these songs are best summed up by 1000 multi-colored heart emojis" - katie b

"Rice-a-roni. Butts. Kissing. Lesbian Poetry is hard to define because Lesbian Poetry means a little something different to everyone.

"I’ve seen Elliot play more times than I can probably count. The first time I ever listened to Elliot’s music was on his couch in 2009, and he offered me some cereal and we didn’t talk at all. Later, I watched Elliot sing songs a cappella in his backyard with hunnies and fellas floating in the pool behind him. I’ve seen Elliot on a 625-acre farm in Eastern Iowa, unblinkingly rejecting the stage and sound system. With his voice out-loud and arms tied awkwardly behind his back, he stopped hearts with his even-paced drawl against the Iowa countryside. Aided by bare instrumentation, Elliot’s songs read as poems or folk tales. His songs have an amazing sense of humor and life that the listener feels like they’re chatting with an old friend or maybe even someone they kissed at a party once. And sometimes they’re profoundly sad. And that’s okay.

"Many of us know and love Elliot Burke, the main brains behind the operation that is Lesbian Poetry, but he’s very earnest about involving other Iowa musicians in his musical efforts. He’s currently playing with Luke and Wesley Belknap, who are both involved in their own musical pursuits in Iowa. He toured last summer with Little Ruckus, playing solo stuff but always excited to strum along to Dom’s tunes with his acoustic guitar and sweat-power grin. In the past, he’s been so down for whatever that he picked up his trumpet and toured the country with Mumford’s. Something about Elliot’s spirit makes him a natural third or twelfth member to any band.

"Please please please, listen to Elliot’s stories. There’s nothing but hits in his discography. From the oldies but goodies like “You Want to Fuck Her Again” and “Wine and Cheese” to literally any song on Lo-Fi Country for the Whole Family, you will find something – a single line or a chorus – that will resonate with you as entirely true. And if you drop him a line, Elliot will definitely play a show in your backyard or local pizza parlor or jungle gym. That’s what Lesbian Poetry is to me."
- from the article, "GDP Hype: Lesbian Poetry", by Zooey Miller on the DMMC website

"Pizza Babe is happy-cozy-wonder-pop made by Eva Lewin, revolving mostly around magick, wonder parties, friendshipz, and cute animals. meow meow meow meow moo oink giggle giggle yo yoyo pajamas"
- from their Facebook page

Lineup:
Elliott Burke - vocals, ukulele
Eva Lewin - vocals


Less Poetry on Facebook:
https://www.facebook.com/lpoetryxo/

Less Poetry on BandCamp:
https://lesbianpoetry.bandcamp.com/

Pizza Babe on Facebook:
https://www.facebook.com/evalewinmusic/

Pizza Babe on BandCamp:
https://pizzababe.bandcamp.com/

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

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IMSC Ep 58 - Song 3: "High on Christmas" by Dan Bee




"Dan Bee started off life stillborn in Evanston IL in the mid 1970's. After his revival he did the normal baby thing, then the toddler thing. After going through some torturous years being picked on and ostracized as a teenager the pure isolation led him to lock up in a room with a guitar becoming a musician. Today he is an adult man child making music which aids him to bypass the crippling nature of his normal reclusiveness.

"Dan Bee is a songwriter who marches to the beat of his own drum. He does what he does and does it as well as he can. Some people will like it and some people will not. The music isn't trying to be anything in particular other than an expression of the emotion the songwriter is going through at the time of creation.

"Dan Bee is one of those weird musicians who doesn't really care about what guitar they are playing on or playing with technical skill. While those things do have their merits, Dan feels as long as what you do has passion and you have passion for it then that is enough.

"The music on this page can and will be anything from a rough acoustic demo recorded on a cell phone in a bedroom, to a full band of friends recorded in a lush studio.

"Here you go, have a listen and enjoy your life. :)"
- from his Facebook page

Lineup:
Dan Bobek - vocals, instruments

IMSC Ep 58 - Song 4: "Distracted When You Kiss" by Gloom Balloon



"Songs for a baroque heart."
- from their BandCamp page

"Gloom Balloon is full of surprises!'
- Spin Magazine

“Gloom Balloon is energizing, hilarious, heartbreaking, depressing, and sometimes it’s all of those things at the exact same instant. Gloom Balloon physically or emotionally grabs you by the head; there can be no doubt that Fleming will continue to be one of the best lyricists and one of the best performers you’ll ever see."
- themilkcarton.com

“One of the best records I’ve heard all year. […] Albums like this don’t come around every day, and we need to cherish them when they do."
Josh Terzino, Music-Defined.com (#6 Top Album of 2013)

Lineup:
Pat Fleming - vocals, guitar


Home page:
http://gloomballoon.com/

Facebook:
https://www.facebook.com/gloomballoon/

BandCamp:
https://gloomballoon.bandcamp.com/

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

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IMSC Ep 58 - Song 5: "Happy Holidays" by Bryan Baker



"Singer / Songwriter, Geek Werewolves howling for lost love and regret, robots enslaving and destroying humanity, lost love returning in the zombiepocalypse, and that's just the first three songs!"
- from his ReverbNation page

"Bryan Baker (Kaklick Martin) is a metaverse musician: A singer/songwriter performing in, and writing songs about, the virtual world known as Second Life®. Bryan’s avatar Kaklick took the stage in Second Life® for the first time back in late 2005, so he is among the longest running performers in Second Life® and was an early evangelist for the live music scene there...

"Bryan has been writing music since his childhood, but got serious in high school. Originally intending on a path that would have taken him to Berklee School of Music in the early 80s as a bassist, he was offered the chance to try out a musician's life straight out of high school and he hired on as a bass player in a lounge outfit of no consequence in the twin cities area. When this came to an end a few months later he returned to Iowa and joined a new-wave outfit called 'The Keyz' based in Ames. They played some great shows to appreciative fans, but this didn't last either. By this time he'd started studying at Iowa State, initially in music, then migrating to theatre and eventually graduating in that field...

"For several years he concentrated on other aspects of his life, and his career path led him to work on show control for many high profile entertainment venues, but he kept writing and playing music. In 2004 he started seriously recording and writing again and has been going full steam since."
- from his Facebook page

Lineup:
Bryan Baker - vocals, instruments


Home page:
http://ka-klick.com/

Facebook:
https://www.facebook.com/Bryan-Baker-54790471441/

ReverbNation:
https://www.reverbnation.com/bryanbaker

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

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IMSC Ep 58 - Song 6: "Christmas Makes Pants Happy" by Keepers of the Carpet



"Active 1996-2008 Originated in Buffalo Center, Iowa. Later involved in Bi-Fi Records in Ames, Iowa. Later self-released "Just Set Fire To The Prize." Members: Jordan Mayland, Jason Holland, Zack Smith, Pete Smith, Tyler Smith, Eric Moffitt, Rano LoVan, Paul Friemel, Dan Shea, Jacob Tyler Wolfgang."
- from their BandCamp page

"Iowa Rock Music. Hailing originally from Buffalo Center, Iowa, Keepers were well known for their exciting live shows & poppy rock music.

"Started in 1997 practicing in barns. We came to Ames and met Bi-Fi Records. We recorded an album. We got on the radio. We played shows. We went on tour. We broke up. We got back together. We changed members a lot. We put out another album. We got on the radio again. We have awesome fans."
- from their Facebook page


Facebook:
https://www.facebook.com/KeepersoftheCarpet/

BandCamp:
https://keepersofthecarpet.bandcamp.com/

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

Labels: 

IMSC Ep 58 - Song 7: "When No One Calls on Christmas" by Tuff Jerks




"This is Jason Hennesy. I'm a songwriter and sales professional in southeast Iowa. I'm interested in failure."
- from their BandCamp page

IMSC Ep 58 - Song 8: "Part of the Party" by Karen Meat




"Karen Meat is a pop rock project of Arin Eaton based between Des Moines and Iowa City. The band itself is a moody character, a sequined oversized sweater, crooning melodies and lyrics of a bored generation. She’s Drunk Like The Rest Of Us, Karen Meat’s recent November 2016 tape release, steers away from her DSM band (Brad Turk, John Huffman) as Eaton collaborates with her business partner Dana Telsrow. Karen Meat glitters with memorable beats, 60s-girl-pop inspired vocals, guitar solos by Dana, and coordinated outfits. Full band Karen Meat includes releases such as On The Couch (2016), and self-titled Karen Meat & The Computer (2015) – grumpy rock n’ roll songs with a tinge of partying and omnicord, with titles like “Who Cares?” and “Pizza and Beer”. Realistically, pop songs should be fun AND sad. Karen Meat embraces the power of rejection and depression as themes for her music, and her upbeat tunes are gems of sarcasm and truth. Follow Karen Meat on Twitter at @K_Meat for more declarations on how weird the world can seem."
- from their Facebook pag

Ep 58 - Song 9: "Merry Christmas, Bats" by Personal Vendetta



"we play awesome punk songs"
- from their Facebook page

Lineup:
Joshua Mutant - guitar/lead vocals
Danny Anderson - Bass
Kernan, the Korean Nun - drums/vocals


Facebook:
https://www.facebook.com/vendettapunk801/

BandCamp:
https://personalvendetta.bandcamp.com/

To download the whole podcast, right click on the link below and hit "Save as...":
https://archive.org/download/IowaMusicShowcaseEpisode58/Iowa%20Music%20Showcase%20-%20Episode%2058_.mp3

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